|
| Documents
from a stay in Rome in April, 1990, showing stacked trees - specially pines
-
used as refuge to statues and allowed to pass, in the twilight, disturbing
lights, gave the idea of this painting series where the split up landscape bounces,
lit by different sources :
it's a walk in a big park where things come to
light at a road bend, as revealed
by the combustion of a Bengal light.
 |
| Jardin du moment
transparent H 1991-11 (162x114
cm) |  |
| Jardin aux écailles
somnolentes H 1991-10 (162x114
cm) |  |
| Voyage à Rome H
1991-06 (162x114 cm) |
 |
| Jardin du matin
à queue de cristal H
1991-12 (162x114 cm) collection
du Musée de Toulon |  |
| Jardin de la marée
de mars H 1991-13 (162x114
cm) |  |
| Jardin au coeur des torches H
1991-02 (162x114 cm) |
|
| Jardin du nombre
aboli H 1991-03 (162x114 cm) |
|
| Jardin à
l'heure du saut H 1991-05 (162x114
cm) | |
| Jardin à la fenêtre H
1991-07 (162x114 cm) |
|
| Jardin le jour de
l'incendie H 1991-09 (162x114
cm) | |
| Jardin à
double plafond H 1991-08 (162x114
cm) | |
| | A
booklet reproducing in colours twelve of these "Articulated Gardens "
was published in May, 1992
by the Regional Council of Provence Alpes Côte
d'Azur
(six simultaneous exhibitions from May 16 till June 12.)
| |
| catalogue édité
en 1992 contenant 28 reproductions en quadrichromie | Sixteen
paintings from 1978 to1989 are also reproduced in this brochure.
| | | "Jardin
romain"(H91-31) et "Jardin humide"(H91-29) 73x116 cm |
Droits de Reproduction
Réservés 
|
